SIBERIA/LA

dom

fictionalized memoir about things that never happened

Some Beautiful Pictures

Somewhere along the way, my big brother, Robert, became one of my favorite landscape photographers. He’s purely a hobbyist. Not even a hobbyist. He likes to travel and when he is traveling, he likes to take pictures. A lot of them. Anyway, I’ve been encouraging him to take his photography more seriously because he’s really good.

He has put some of his photos up on bigstockphoto.com. Go check it out. You can buy it and stuff pretty cheap. They’re beautiful. My parents have a few blown up and hanging over their piano and he gave us one as a gift. I think the pictures are from his last trip, to the Canadian Rockies. I think it’s his favorite place ever.

If you can spare a few minutes, after checking out the pictures, if you like them, put some comments down on this blog post. I want to show it to Robert so he’ll take his photography more seriously.

Thanks. Once again, here’s the link.

sweat

it doesn’t sound like fighting, but the man is round shouldered and he talks loud. the dog pushes aside the vertical blinds and stares out at him, our neighbor standing in his driveway talking loud at somebody. it’s 7 a.m. and i want to get up and write, but i’m having a hard time. the new sheets are soft and it’s not so hot this morning and i miss jude, who is lying in bed not two inches from me. we didn’t see each other all day yesterday and our phones were cut off because we hadn’t paid the bill and she couldn’t send the secret naked pictures she took at work to remind me of the places i call home.

last night we switched sides on the bed and i kept getting confused in my sleep and turning the wrong way, turning to where she would be, turning to the mirror, to a dark undefined reflection of myself and of streaks of blue vertical lines coming through the window.

“did you walk the dog this morning,” she asks.
“i don’t remember,” i say, “i don’t remember when i walked her.”

she turns, throws her right leg around my body and holds me.

“did you use soap on your hair,” i ask, thinking about her walking into the shower last night before bed and complaining about not having any shampoo, showering because i told her she should. i couldn’t handle the smell of her sweat last night, sour like everything that goes bad in this small apartment. i loved sweat in new york, tickling my arms as it dripped down from my short sleeves down the inside of my elbow as we carried bags of groceries and a bottle of veuve clicquot we couldn’t afford down the steps of the union square station on to the sticky platform above the rat infested train tracks. i loved sweat then when it was the glue that kept us stuck on each other’s skin, kept our bones from falling like bent twigs into the fire, kept our lips from letting loose the words and the bluebirds we held inside, even when the alcohol was too much and i was standing on second avenue, screaming at the 300 pound bouncer outside bar none to come get some, even when later, walking down the narrow steps at the 14th street station to the L-train, she took a roundhouse right that just missed my chin because j. had disrespected her by putting her very large tits on my head. but there was no sweat though that early morning, our apartment glowing blue from the late moon or early sun, our clothes smelling of cigarettes and spilt lagers, when she jumped out of our mattress on the floor screaming, carrying a blanket to the futon where she dropped, her back to me, and i said to come back, to take it back, this thing we call our bed, this thing we call beauty, and as she moaned drunk on the futon i grabbed my bag and walked out into the 4 a.m. bushwick pavement, walking past the roasted chicken in the middle of the street and camus’s rats in the garbage bags. i was so sure at that moment that where i was headed toward was the edge of the world welcoming me with a wooden sign nailed to an old church pew, where creeks flow louder than birds or round mexican neighbors and meet at the base of a willow tree. and when the phone rang 3 hours later finding me asleep on a bench at union square park, a cop walking by as i smoothed my hair and wiped the spit from my chin, not bothering me because he too knew that i didn’t make it far enough, she asked where i was, where did i go. and i found my way back to the steps, to the train, to the ground beneath my ground.

she buries her face into my chin.

“i used the hotel shampoo we took from stardust,” she says. i hold her, pull her to me as the dog crawls up behind her. “you slept more with her than with me,” she says.

and i tell her that i was confused sleeping on this side of the bed, that i kept turning the wrong way to look for her, that my body remembers all the past journeys of nights, that i lost myself again in the dark, in my sleep, because it is hard to wash the blood of the dead from my skin with alcohol and hotel shampoo, and i hold her, hold her until there is no more need to care

this morning

about anything.

URBAN SHAKESPEARE! This Saturday!

As some of you know, Jude’s been working non-stop over the last few months with Shakespeare Festival L.A. as director of a new youth program. Their big show is this Saturday night (6/10) and it would be a huge lift for everyone involved, especially the young students, if y’all could come out. I had the chance to go in and work with some of them on their poems and songs and, I have to tell you, the work they produce is humbling. I found myself saying, “Damn, I want to steal that line,” a couple of times.

Anyway, here’s all the info. COME AND ENJOY THE SHOW! And support these talented young people of Los Angeles.

“If music be the food of love Play on!” says the passionate Orsino in William Shakespeare’s Twelfth Night. Shakespeare Festival/LA has taken this famous line and created a unique after-school program for teens that combines job-training and art. Building upon its youth-in-arts education program Will Power to Youth, SFLA has launched Play On - a program focused on music, songwriting, music production, sound design, acting, spoken word, and poetry.

Please join us this Saturday
June 10th at 7:00 pm for the
CD RELEASE PARTY AND
LIVE PERFORMANCES FROM
“URBAN SHAKESPEARE”

Shakespeare Festival LA
1238 W. 1st. St. (1st. & Bixel)
Los Angeles, CA 90026
Reception at 7:00
Set 1 at 7:30
Set 2 at 9:00
The dance floor opens after Set 2.
CD’s will be available for the special debut price of $10
On amazon.com and cdbaby.com for $16.95!
www.myspace.com/urbanshakespeare

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Self Portrait #6

confession

just know that
as i sit here
by the window
at a desk we found monday night
on the sidewalk
in front of our apartment
and carried in
drunk on margaritas
and ground beef
the second drawer damaged
by a dog’s teeth
the blinds drawn
unmoving
even with the windows open

just know that
as the mexican neighbor
in the tight black skirt
walks up the stairs to her apartment
her heels nailing
the cracked white steps

just know that
as i open the pages
of blood meridian once again
to see the horses
breathing
through the cloud of dust
to smell the blood
from the freshly scalped heads
while listening
to a mediocre dvorak symphony

just know that
i have written
these words
like every other word
this line
like every other line
this poem
like every other poem
on every other page
on every other night
on every other failure
and every last detail
about my life
like my father’s stubby fingers
and my mother’s curled legs on the couch
and each fly that buzzed
on chico’s bleeding ears

just know that
everything was written
only
to paint myself
beautiful
and holy.

Self Portrait #5

scenes from a marriage

she sent me a picture from work,
one she took with her phone in the bathroom
during her short break.
close up of her skin,
of the inside of her bare thighs,
a little bit of hair peaking out
from above her pussy.
and i write her back
tell her that she is perfect.

and we get married
and make vows
and crawl together into an unmade bed
covered in sweat
a collar around her neck
her new leash in my hand
wrapping our bare legs
around each other
pulling until we fall asleep
pulling until we no longer need to breathe
pulling until we are close enough
that we can’t see
the flawed lines
of our
wasted
bodies.

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